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歌手名称：群星) r& K$ M, e. x/ L q
专辑名称：爵士史上传奇经典OJC系列30张传世经典名盘
) X8 e! N5 D, A) `发行日期：N/A
$ ~& E5 b' {& Y+ E+ K发行公司：N/A: l4 o6 h& f! Z" Y7 ^, S6 u% ]
专辑风格：爵士
; ] X. W' z9 D) |) n8 j/ N S专辑格式：WAV1 [$ H4 @+ I2 V6 m" F2 a" [
专辑大小：6GB8 b0 S1 b, l0 ^# L4 a* u
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专辑介绍：
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传奇经典OJC系列首次30张名盘集结限量面市，一次拥有爵士史上第一传奇OJC系列30张传世经典名盘!!- v) F. [6 I6 V. T
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精质纸带小塑料袋包装盘片，超硬质外盒典藏设计，160页精装英文、日文、韩文说明鉴赏册内附!!
4 U: y/ R" a- D+ K: m* a% y 本典藏套装系列乃是全球音乐新钜子Concord音乐集团整合旗下诸多爵士厂牌的丰沛宝库资源，将其所拥有最多元且最完整的演奏实录或演唱精华以更有系统方式推荐予新生代乐迷朋友的专业性产品。
: l2 t% n3 o; ?5 H/ C: S2 g" |' j 本系列先委请爵士专家严选出各个时代、各家厂牌或各类乐风中最具指标性的乐手、歌手及其代表作品，并特邀知名乐评家执笔撰写兼具深度及广度的文字导聆评介，再采用当初原汁原味的封面设计及添加许多珍稀历史照片，透过完整概念性精致包装所推出的超值优选爵士铭品。
$ b' z O3 O4 Z5 W- J# n$ U0 S# N 首批Concord典藏家以最具历史纵深、勃兴轨迹及辉煌历程的经典爵士系列OJC为主轴，其为Concord音乐集团麾下最引领风潮的Fantasy厂牌自八零年代起将之前所陆续收购的Debut、Prestige、Riverside、Milestone、Contemporary及Pablo等爵士大厂所曾出版的作品以数位化方式发行，所含括乐风之广可谓当代爵士乐发展史缩影；3 q$ W8 r* \0 h- H
而本批则聚焦在肩负爵士乐承先启后的关键时期、亦为最百家争鸣的五零年代为背景，采急促绵密的咆勃爵士、热力狂奔的精纯咆勃及恬适柔美的西岸爵士风情等多样乐风为蕴底；0 @* Y( S& ? X
同时搜罗小号大师迈尔.戴维斯、一代巨匠约翰.柯川、萨克斯风巨人桑尼.罗林斯、钢琴怪杰泰隆尼斯.孟克、钢琴诗人比尔.艾文斯、吉他大师威斯.蒙哥马利、具反骨精神及不畏主流的低音提琴手查理.明格斯及火力高张鼓手亚特.布雷基……等各方执牛耳音乐巨匠，其于当年领衔乐界中流砥柱同台粹炼竞技、对峙飙技、细腻烘托或热情挥洒的秀逸名作，可一次尽享大师们于乐曲铺陈行进时所展现酣畅有劲的演奏技巧及所发挥如泉涌般的慧黠创意；
; U. T- q r# Q* r- @ 此外，本系列亦呈现出欧林.奇普纽斯、埃拉.吉特勒、唐.史克利腾及艾斯蒙.德华等王牌制作人纵横爵士乐坛多年的精准眼光、创新思维及超凡制作功力与经天王级录音师鲁迪.范.盖尔德（RVG）、若伊.杜南等悉心加持所打造出定位清晰的鲜明音场、层次感十足的丰富音色及灵跃活泼的节奏动态！5 L! e4 V0 j2 T9 U+ Y5 e9 m5 S F8 O4 E5 O
拥有30张史上传奇OJC的旷世经典，就如同拥有爵士乐五零年代黄金时期的稀珍瑰宝，除了聆赏大师们活色生香的精湛诠释，更能从音乐走向、录音特色或封面设计等掘拾出不同厂牌间之特质，而您不仅如入实境地见证了爵士乐崛起及兴盛的璀璨进程，亦着实典藏了爵士巨擘们在舞台上睥睨群雄的不朽传奇风范！
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3 S: c# S/ ?) D! l& j歌曲列表：; r; V' _1 @/ \; ]/ B) Y
1.Blakey Jazz Messengers / Caravan 亚特．布雷基/篷车队
( k0 `' _) Z& g% L- r 2.Art Pepper / Meets The Rhythm Section 亚特．派伯/遇上节奏组
7 s3 q* m7 ?& g 3.Abbey Lincoln / Abbey Is Blue 艾比.林肯 /忧郁艾比; @ I9 }8 f0 P9 k
4.Barney Kessel, Shelly Manne & Ray Brown / The Poll Winners 巴尼．基索/雪利．曼/雷．布朗/票选冠军* p& s9 ]. ~4 @9 Z+ {- u _
5. 班尼．卡特/爵士巨人3 ^1 V8 v" U# Z0 x( \/ q
6.Bill Evans / Waltz For Debby 比尔．艾文斯 /黛比的华尔兹
0 r" J) i& d4 z" c3 B 7.Bill Evans / Portrait In Jazz 比尔．艾文斯 /爵士肖像) V1 M. a6 T" @
8.Bobby Timmons / This Here Is Bobby Timmons 巴比．提蒙斯/就是要巴比．提蒙斯
4 B, l) ]9 z! g* q! a 9.Cannonball Adderley / In San Francisco 加农炮．艾德利/旧金山现场' e! _$ o5 f$ b
10.Chet Baker / Chet 查特．贝克/查特! l. G$ d' i% U8 t
11.Coleman Hawkins / The Hawk Flies High 柯曼．霍金斯/鹰扬天际, y5 u( D& p \: L# c7 a
12.Eric Dolphy / At The Five Spot Vol.1 艾瑞克．朵菲/五点俱乐部现场第一集9 I& s, q2 U5 Z8 u
13.John Coltrane / Soultrane 约翰．柯川/柯川之魂
3 A& u! R. r( e) Y 14.John Coltrane / Lush Life 约翰．柯川 /浮华人生& E" A1 f1 P/ x! t, C; F/ s7 v# x
15.Kenny Burrell & John Coltrane / Kenny Burrell & John Coltrane 肯尼．布瑞尔及约翰．柯川/布瑞尔与柯川( C7 ^# @/ n7 P* g6 k
16.Kenny Dorham / Quite Kenny 肯尼.杜罕 /静如处子$ m/ I- C; G7 d2 Q7 C2 Y
17.Kenny Drew / Pal Joey 肯尼．德鲁/花红酒绿5 O! Q/ a1 s5 m1 ?# v ^, G1 T
18.King Pleasure, Annie Ross / King Pleasure Sings/Annie Ross Sings 金.布理瑟 & 安妮.萝丝/浪漫轮唱
. _( u5 n. o3 B% S! ]/ ~ 19.Miles Davis/ Cookin' 迈尔士．戴维斯 /快意即兴
/ y# r( M$ Q4 a4 E" \+ g 20.Miles Davis / Steamin' 迈尔士．戴维斯 /热力沸腾
& X# P v) n5 p2 M/ n) M4 M1 r 21.Modern Jazz Quartet / Django 现代爵士四重奏/即兴之光3 m9 c( U4 h3 p
22.Nat Adderley / Work Song 奈特．艾德利/工作之歌
Y2 T& }" j6 { 23.Red Garland Trio / Groovy 雷得.嘉兰三重奏 /酣畅快意
- `4 e5 g6 X% m( R 24.Ray Bryant / Ray Bryant Trio 雷．布莱恩特 /三人成行& }/ ^5 k. W; B8 n, Z% S2 C0 g
25.Shelly Manne / My Fair Lady 雪利．曼/窈窕淑女
+ Y* Z2 K; [. o 26.Sonny Rollins / Saxophone Colossus 桑尼．罗林斯/萨克斯风巨人) g% }3 o8 O* W8 T4 }7 d0 w
27.Sonny Stitt, Bud Powell, J.J. Johnson 桑尼史提特与巴德鲍威与杰杰强生
7 {! n& r! P# @7 H" m, o9 y 28.Thelonious Monk / Brilliant Corners 泰隆尼斯．孟克/明亮角落7 B) E; Q8 u4 p4 E( [. Q l4 m. x6 u
29.Wes Montgomery / The Incredible Jazz Guitar 威斯．蒙哥马利 /超凡绝技# M8 K! W( Q- u0 V8 V% x6 F* L
30.Wynton Kelly / Kelly Blue 温顿．凯利/忧郁凯利1 Z7 G3 z2 e S* l9 @
具体曲目：) a' t5 y( C% J n" K b7 R
1. ABBEY LINCOLN - ABBEY IS BLUE
. M, O) T, i( U7 p; d* T1. Afro-blue+ u6 q$ M+ v* r/ H
2. Lonely House
/ h. [* x, O* @8 F3. Let Up8 f% g' \$ ^: H r2 b- U# a
4. Thursday's Child
[7 I. Y" Z! B o* Y! R4 c# k5. Brother, Where Are You?7 [* E: z7 t$ e6 t
6. Laugh, Clown, Laugh
& |, N) z) N4 y; m7. Come Sunday* X4 ~% _9 I5 z, }" L$ \
8. Softly, As In A Morning Sunrise3 A5 q) z$ u1 x
9. Lost In The Stars
' q% Y" x' L1 z3 Q10. Long As You're Living% ?6 e' n! U3 W( ^7 |) o# }
Abbey Lincoln (vocals); Les Spann (guitar, flute); Stanley Turrentine (tenor saxophone); Kenny Dorham, Tommy Turrentine (trumpet); Julian Priester (trombone); Phil Wright, Wynton Kelly, Cedar Walton (piano); Bobby Boswell (double bass); Max Roach, Philly Joe Jones (drums): ]- G6 F! M; x: L1 _
2. ART BLAKEY JAZZ MESSENGERS - CARAVAN' B5 x* ^ k" R3 o9 W
1 CARAVAN 9:45( ~# @: w1 p t7 \6 B
2.SWEET 'N' SOUR
! b% I! q. L0 v5 h) A5 r3 IN THE WEE SMALL HOURS OF THE MORNING 4:03
5 J/ x0 H; V3 J, j7 X4 THIS IS FOR ALBERT 8:18% X" w9 K* O1 {2 @5 ]8 j. k9 V
5 SKYLARK 4:48
/ O9 z h+ N9 y# G% w6 THERMO 6:46) n9 Q5 f8 s* W, x
BONUS TRACKS
" S- q6 B9 R6 B7 n, o! Q" z# ~7 THERMO (take 2) 7:266 m2 z4 P/ g( J" p
8 SWEET 'N' SOUR (take4) 5:28" w8 ?( F- j, B& t
ART BLAKEY drums
) F; R, e3 G* r) w1 \3 ?CURTIS FULLER trombone& s, X* q; T$ c' F. _0 R# N
FREDDIE HUBBARD trumpet# e6 X3 x0 L" M* q$ N/ ]# t/ V
WAYNE SHORTER tenor saxophone D$ a7 m& O/ o$ x2 J+ O. ~
CEDAR WALTON piano- f0 ]8 s, Z% s- t
REGGIE WORKMAN bass$ j. X8 r" } F- d6 p* m& S
Original album produced by ORRIN KEEPNEWS
; H& G2 R5 Z+ B8 e2 `% M9 [/ iRecorded by Ray Fowler at Plaza Sound Studios,
: S) j1 r4 `0 g# N! y: Q4 G$ lNew York City; October 23 and 24, 1962.( s+ b9 l4 V8 G
Reissue produced and annotated by ORRIN KEEPNEWS4 P1 L1 \" j1 S+ X) o
24-bit remastering - JOE TARANTINO
1 L1 h& X+ h; ]% A(Fantasy Studios, Berkeley)
$ t0 }4 U- T# k& i1 G5 u3. ART PEPPER - MEETS THE RHYTHM SECTION
3 G6 ` n y8 T. W" O+ K1 YOU'D BE SO NICE TO COME HOME TO 5:250 `0 c3 n7 p3 s7 n' l0 R) {
2 RED PEPPER BLUES 3:36
/ Z% @) F' `/ U9 ]9 }3 IMAGINATION 5:511 B! s) }. ~$ E9 C% _
4 WALTZ ME BLUES 2:559 t& L; } h$ Q# l
5 STRAIGHT LIFE 3:58
s1 ]; T3 \5 [* e- V- [6 JAZZ ME BLUES 4:44# I' X% v$ j: T: Y
7 TIN TIN DEO 7:42+ K. E% \% r3 f2 ~, ~2 H* ]* A
8 STAR EYES 5:12+ Z! e/ r, I4 o; ?# @1 u% I
9 BIRKS WORKS 4:15# j m7 l4 m8 q/ v/ B; c
ART PEPPER-alto saxophone4 ]0 P) m2 U. E9 b( d
RED GARLAND-piano! s; M0 c% C8 V; Q- t1 }
PAUL CHAMBER-bass) ~' D# D0 n& G- Z8 M
PHILLY JOE JONES-drums) n, y! y' t7 Q# }* {1 ?
Produced by LESTER KOENIG
2 J& W2 }- Q c! QRecorded at Contemporary's studio in Los Angeles;) ]5 v% [" ^* I' a0 I
January 19, 1957) b: ]2 @: I7 |" O
Digital Remastering, 1988-Phil De Lancie; @: @2 i U; F9 L" A
(Fantasy Studios, Berkeley)' Y5 h# c( f; }& }/ h5 M
TOTAL TIME 44:00! t- |9 r1 d4 J, e' ?* n
Total time has been rounded off to the nearest minute., [& z& V, X& R* u2 \" m. X) D3 y
4. BARNEY KESSEL, SHELLY MANNE & RAY BROWN - THE POLL WINNERS
D; J( [# G/ y( E* j2 }6 _7 n1 JORDU 3:26
7 F) c6 W4 S1 ~+ j6 Q4 d, s2 a" ~# i2 SATIN DOLL 6:261 @" U, z( ~) n, N% A
3 IT COULD HAPPEN TO YOU 4:21
4 \, E$ e' g) ?" \4 MEAN TO ME 6:28
& c. r; d2 _2 B; U& u$ P: w5 DON'T WORRY 'BOUT ME 4:33- x9 z, l D/ Y/ _3 m2 R& U% ^
6 ON GREEN DOLPHIN STREET 4:00
! u/ \. c5 [: C" }6 Z* A7 YOU GO TO MY HEAD 4:219 Z: q% F! T& x( ? @' o2 ~2 f
8 MINOR MOOD 3:17
* F: j6 \8 o+ p0 k) Q9 NAGASAKI 3:04
) }9 t# \' K0 J3 a+ i# l+ oBARNEY KESSEL- guitar
; o9 I# T5 C& SRAY BROWN-bass* }# p4 g6 s# R! C
SHELLY MANNE-drums+ m n- L" P0 y9 m- x
Produced by LESTER KOENIG' {1 R _; { \1 ^5 L7 p
Recorded at Contemporary's studio in Los Angeles; March 18-19, 1957. p ~5 V5 b/ K/ ]2 ~/ l+ f9 V
Digital Remastering, 1988-Danny Kopelson% K. e, d; l5 J9 R( Z; s7 P
(Fantasy Studio, Berkeley)
+ w# m6 F# d; _# c7 j+ P" ETOTAL TIME 41:00
& K0 N4 y6 {5 x- `! XRounded off to the nearest minute
5 u a+ C: }* K$ J+ ~4 C0 W5. BILL EVANS TRIO - WALTZ FOR DEBBY
% p5 i# _* c' G% T0 p& V1. MY FOOLISH HEART 4:567 M- ~7 k. p) E9 C" A- c
2. WALTZ FOR DEBBY (take 2) 7:00
& }+ e0 I) r* p8 M/ i3 u# a0 f5 W. p*3. WALTZ FOR DEBBY (take 1) 6:46
) ?( d& Z" D+ ~9 R0 S" w4. DETOUR AHEAD (take 2) 7:35
, R3 J$ T8 C) b1 `7 X; r*5. DETOUR AHEAD (take 1) 7:12% P' [" N" h k3 z
6. MY ROMANCE (take 1) 7:11" H6 T& @. x; f, G1 T' `
*7. MY ROMANCE (take 2) 7:13& w4 V& a b! K, T' G1 e) H0 G
8. SOME OTHER TIME 5:02
5 v: p( v6 J* m0 V& t! \9. MILESTONES 6:379 V) t+ l6 u( [7 ]9 F3 z! ]
*10. PORGY (I LOVE YOU, PORGY) 5:57, J3 _/ F7 M" Y7 k' Q) m0 G' w5 V
*BONUS TRACKS
" I/ O6 r V* D( kBILL EVANS- piano: {; z/ H. r8 }9 {
SCOTT LAFARO - bass
+ o; A: v* ^2 N# ]7 vPAUL MOTIAN- drum8 E$ R3 v% L; }
Produced by ORRIN KEEPNEWS' k; E1 }. ]# G: v
Recorded in New York; June 25, 1961.
1 O: b, |. D/ Y- `' I) C9 sDigital remastering, 1987 - Joe Tarantino9 l4 Z2 b: ]/ @% @+ _
(Fantasy Studios, Berkeley). ]- q( i( X& ]
TOTAL TIME 66:002 X- ]4 t2 c& e% O% Q
Total time has been rounded off to the nearest minute.
2 L1 W7 {# X7 W8 Z0 z1 D( D6. BILL EVANS TRIO - PORTRAIT IN JAZZ
7 U8 ^% j$ \9 |8 g+ n- N/ y1 COME RAIN OR COME SHINE (Take 5) 3:245 O4 P% B( H0 I" d& I
2 AUTUMN LEAVES 6:00
/ G+ U8 d% S/ b* q) x3 WITCHCRAFT 4:37
" ?6 q* e- {: t. i' ]6 p4 WHEN I FALL IN LOVE 4:57, |) L6 ?2 t7 i$ p& h
5 PERI'S SCOPE 3:15, O# j( N) @$ ]4 P7 e; v7 ?
6 WHAT IS THIS THING CALLED LOVE? 4:36
0 n3 |* m- d! b; a7 SPRING IS HERE 5:093 Q6 G* m0 r! Y( `& J
8 SOMEDAY MY PRINCE WILL COME 4:578 }# U' q* T0 _) Q3 i
9 BLUE IN GREEN (Take 3) 5:25
/ I/ G( q4 | g2 B" ^- ^3 Z/ zBONUS TRACKS
( x& _" b4 z. k2 @! p7 V*10 COME RAIN OR COME SHINE (Take 4) 3:23
/ S! K$ N# @8 \' `- M; F' A11 AUTUMN LEAVES (Take 9, monaural) 5:255 I2 H# ~$ U3 y$ B' `- g
*12 BLUE IN GREEN (Take 1) 4:39
" j7 s0 @, t4 S$ z2 P8 _13 BLUE IN GREEN (Take 2) 4:26
) p4 u, u4 O! f0 h ?- a, A*PREVIOUSLY UNISSUED
* |# Y! z0 h m: ?: x* gBILL EVANS piano3 I# m+ l. M% `: r* l* M
SCOTT LAFARO bass
' m8 {" y$ w8 S8 d2 O4 ~! b% CPAUL MOTIAN drums
2 D% d" A9 q+ r$ s) U* K7 O4 GOriginal album produced by ORRIN KEEPNEWS
R& @* q$ t2 l4 Q5 |& RRecorded by Jack Higgins at Reeves Sound Studios,; F; t3 V V# g( W# {# _4 q: _
New York City; December 28 1959." M: P/ |) u' `9 u1 B! e8 g- \
Reissue produced and annotated by ORRIN KEEPNEWS. R7 ~# C. y, z+ x
24-bit remastering - JOE TARANTINO' h& w% t' ]. W% E1 }
(Fantasy Studios, Berkeley)+ s& y3 Y7 A* I1 J p
7. BOBBY TIMMONS - THIS HERE IS BOBBY TIMMONS
% q$ i2 r1 y% q! `' m7 u1 THIS HERE 3:31; ~$ R* y; D/ R# x; P
2 MOANIN' 5:06/ E# Y1 {( ^0 X
3 LUSH LIFE 2:27: m4 p( p3 k2 n( Q5 X0 x( f2 N/ c
4 THE PARTY'S OVER 4:11! x2 p) v1 b' S3 d" X
5 PRELUDE TO A KISS 3:22
* b1 X+ e. f9 w w6 DAT DERE 5:22
' U# N1 O6 J' Q7 Q* A9 I1 }0 \4 i7 MY FUNNY VALENTINE 5:067 A6 P2 d' F+ T$ H: A9 V1 [
8 COME RAIN OR COME SHINE 4:30' q, Y2 Y9 o3 b% H+ x
9 JOY RIDE 3:586 V2 r$ Z; y8 r6 P) x T$ O
BOBBY TIMMONS - piano
5 O+ n1 Y8 c: p) M) @SAM JONES - bass
( `3 U& t5 O7 s# y6 O& P: b5 g; uJIMMY COBB -drums- F* v: n) i) {; S, Y+ I/ |7 ?
"Lush Life" is an unaccompanied piano solo.0 ]" Y6 m# X4 I ^4 b0 k8 I
Produced by ORRIN KEEPNEWS$ u# r2 m" T" L3 C9 x
Recorded in New York; January 13 and 14, 1960.& V* o) P! y% o/ E+ D% C9 P
Digital remastering, 1992 - Phil De Lancie
# t R6 {9 e1 d3 x+ b' p(Fantasy Studios, Berkeley)
, W7 |5 o; x) BTOTAL TIME 37:53. I' x8 `& a, Y+ z3 u8 m/ f K7 B B
8. THE CANNONBALL ADDERLEY QUINTET - IN SAN FRANCISCO1 W! k2 j2 K+ K4 s" j
1 A FEW WORDS BY CANNONBALL… AND THIS HERE 12:28
5 g8 l" a1 h# r2 SPONTANEOUS COMBUSTION 11:53/ O$ E j) O( B! Q% Z1 c
3 HI-FLY 11:08/ i+ A% S+ }8 F( N
4 YOU GOT IT! 5:07
% @% E# P$ ? v4 D# P5 BOHEMIA AFTER DARK (aka Birdland After Dark) 8:033 N; n/ K c8 w- e. Q: d/ P; _
BONUS TRACKS' m7 J8 R$ s) W
6 STRAIGHT, NO CHASER 11:44' B4 @& Q6 n; d+ G
7 THIS HERE (alternate take)* 11:30: |: _2 G" j/ W7 q0 S N% H
8 YOU GOT IT! (alternate take)* 6:11
9 n0 p. u' G" w$ w% l6 E/ e- J! z*PREVIOUSLY UNISSUED
1 j3 Q, v d8 h0 X- qCANNONBALL ADDERLEY alto saxophone
6 \8 y5 m0 E1 u' nNAT ADDERLEY cornet+ b) U) a+ v3 p3 F6 k" |6 e5 V; B5 ]
BOBBY TIMMONS piano' I8 T- {6 Y8 ~
SAM JONES bass1 W! N; a, F7 _9 j7 l, n
LOUIS HAYES drums
, g& V" r( d( v# Z& R7 |" GOriginal album produced by ORRIN KEEPNEWS . ^ o) c, m# V: N+ f1 f1 X# U( F
Recorded live at the Jazz Workshop in ' t0 A" i0 m' ~. N; D: f/ |# m1 ^
San Francisco; October 18 and 20, 1959.
& E4 X5 e& m: N7 FReissue produced and annotated by ORRIN KEEPNEWS
+ W1 \) Z$ G$ x i8 m24-bit remastering - JOE TARANTINO9 P. a$ l9 W; l# q3 p0 d+ L! F
(Fantasy Studios, Berkeley)
! f' Y7 S8 N3 _: w9. CHET BAKER - CHET. i r7 t k# J$ I1 ~% ]0 P5 G
1 ALONE TOGETHER 6:53
: [9 T# z0 G6 F3 P( M1 `* X; Z. T0 j- a2 HOW HIGH THE MOON 3:37+ b+ h5 C2 d V8 Q6 J7 C
3 IT NEVER ENTERED MY MIND 4:417 e/ O0 z" S4 t! p1 U' W1 y
4 'TIS AUTUMN 5:18
; w) s4 X A3 t) Z R. f5 IF YOU COULD SEE ME NOW 5:177 b' V$ G/ J1 a, S3 A
6 SEPTEMBER SONG 3:05
# r! |" c u5 M# ~' e7 YOU'D BE SO NICE TO COME HOME TO 4:33
; }0 u, x* A0 [6 R% N& h0 J. U+ d8 TIME ON MY HANDS (YOU IN MY ARMS) 4:33/ X* O5 s1 M$ ~, m0 |: J
9 YOU AND THE NIGHT AND THE MUSIC 4:07
( d& e2 ~7 f! _$ U- `: mBONUS TRACK
5 Q4 r: [- K+ Z- y0 ]0 _6 S/ N10 EARLY MORNING MOOD 9:04% `% f* u8 p* W) F; t
CHET BAKER trumpet# L* A- V( c2 D2 Y9 \ ?8 I
PEPPER ADAMS baritone saxophone* G! N# r% w2 `4 s! v+ c
HERBIE MANN flute
7 t& f7 H0 r% y% SKENNY BURRELL guitar) ^1 }5 C& p! J% O o
BILL EVANS piano
0 `6 |' S. V |! vPAUL CHAMBERS bass
2 D4 {6 H2 U) Z) _! k) QCONNIE KAY or PHILLY JOE JONES drums0 p8 l5 R' x% G* j& w# e
Original album produced by ORRIN KEEPNEWS * ?" {" [4 {6 `4 F3 p$ I
Recorded by Jack Higgins at Reeves Sound Studios,
* Z8 p( a) y) f5 t, z. cNew York City; December 30 1958. and January 19, 1059.) C7 M7 j9 Z2 Z v$ w* f
Reissue produced and annotated by ORRIN KEEPNEWS
. K0 x: {& T7 T& {' C# F. D) G: m# d24-bit remastering - JOE TARANTINO0 J1 \% Y( t# [: n" H# M1 y# a7 h1 F
(Fantasy Studios, Berkeley)
1 ]/ m) {" B9 g! Q, }' G- h10. COLEMAN HAWKINS - THE HAWK FLIES HIGH6 _$ d" {' d& [2 z9 F# R
1 CHANT 5:08; y; y2 I f m" A; K
2 JUICY FRUIT 11:16* T9 K M8 O' L! z4 L/ B) q, {
3 THINK DEEP 3:25
. \5 W3 i5 e1 K K6 O4 LAURA 4:43& b' ]; u& b8 c2 y2 K
5 BLUE LIGHTS 5:44
3 z, D, D% T; \5 Z- H6 SANCTICITY 9:10
9 l% [. M) \! f# o( YCOLEMAN HAWKINS tenor saxophone+ t" f. [% D* }. l, g
J.J. JOHNSON trombone+ W- o- S0 S1 K8 M4 m
IDREES SULIEMAN trumpet6 x( H2 Z' }" @8 S- y5 _6 f
HANK JONES piano
& f2 ^" {2 M1 {: PBARRY GALBRAITH guitar
& I$ K: Z. S0 n: i, l: z- k/ vOSCAR PETTIFORD bass! s' z" g( ?8 ^; B+ S" H
JO JONES drums
* v' K4 x- X/ h1 jOriginal album produced by ORRIN KEEPNEWS and BILL GRAUER
# E" r5 Z2 g" l0 [# L- }1 ?Recorded by Jack Higgins at Reeves Sound Studios,
@& G' I; i: e7 q) A4 WNew York City; March 12 and 15, 1957.5 _5 K: m( V3 D% g# ?) P1 E( I
Reissue produced and annotated by ORRIN KEEPNEWS3 a5 V# x( s m5 m9 |8 _$ \+ V; g
24-bit remastering - JOE TARANTINO8 i; _3 {1 \( Y4 ]4 u
(Fantasy Studios, Berkeley)
- e$ i- Q7 o# ~& H% s1 L+ m11. BENNY CARTER - JAZZ GIANT
4 b2 J, L5 `: ^5 e1 OLD FASHIONED LOVE 7:46! x+ S: M. k1 C8 T
2 I'M COMING VIRGINIA 5:45
; {! q* E G& g2 G* a; ^3 A WALKIN' THING 5:55
% M( u) r. m1 ]! ?- }3 j% O' x( T4 BLUE LOU 5:02
" F8 v/ V k! j8 }4 d. B# @6 E, S+ O# B5 AIN'T SHE SWEET 3:32, @. r# \' ]0 X8 M. P0 I
6 HOW CAN YOU LOSE 6:124 A3 Y Z) h3 M$ Y9 o- D6 q. Y, n
7 BLUES MY NAUGHTY SWEETIE GIVES TO ME 4:32$ w, h; ]- n, r8 a7 w
BENNY CARTER -alto saxophone and trumpet0 |5 j! i4 [, L( M6 t: [, b+ l
BEN WEBSTER - tenor saxophone+ w3 G1 k3 l7 |2 i
FRANK ROSOLINO - trombone
" B' _0 h9 d. V+ KANDRE PREVIN, JIMMY ROWLES - piano2 B0 L: I* O, y: ~0 ? h5 e$ f ?
BARNEY KESSEL -guitar
$ K# D% Z, M: Q( L0 nLEROY VINNEGAR -bass
5 E. _2 @7 l+ ^" hSHELLY MANNE - drums
1 t- z3 d2 C' O; n# y# D0 n( CRecorded in Los Angeles; June 11, July 22, October 7, 1957 and April 21, 1958
: H& {; r, X" P* ]9 s) e4 T# o9 ZSound by Roy Dunann
y- y9 ?9 P5 h9 p$ X \Digital remastering, 1987 -Joe Trantino
: z' }5 X: R, t9 R7 ~3 ^4 z(Fantasy Studios,Berkeley)! E+ G. I3 h- u. A X! H8 H. D5 }
TOTAL TIME 42:00) D \3 |7 i% J9 z: o
Rounded off to the nearest minute
% u8 Y' y" k2 P/ Y2 ]12. ERIC DOLPHY - AT THE FIVE SPOT, VOL 10 {' n3 U# ^; |$ _6 C0 a
1 FIRE WALTZ 13:402 _1 x+ R- n* \" q
2 BEE VAMP 12:20. O9 R+ p# p" ^3 z* r& u9 X1 y4 T5 `. F
3 THE PROPHET 21:22
' Z9 }2 g0 `( R+ g$ c( n*4 BEE VAMP(alternate take) 9:28
- F) \. w5 u7 _; }4 ]* bonus track* `+ J. X* L6 T/ B6 ^: H
ERIC DOLPHY alto saxophone, bass clarinet
2 X* }: }, x0 [% n! GBOOKER LITTLE trumpet
3 w Q' f1 p) G6 ^, ?" q" @# SMAL WALDRON piano1 p/ E1 g( [5 O0 Z0 Z- D
RICHARD DAVIS bass
3 M8 W8 m/ z5 g, c1 @ED BLACKWELL drums
5 T; V7 o+ ] J$ [8 ], }4 W dRecorded by RUDY VAN GELDER in performance at Five Spot, New York City; July 16, 1961. Supervision by ESMOND EDWARDS Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.
2 d' S; v7 e. ^, o- A. u2 KNotes by JOE GOLDBERG" n+ G$ D* i7 B& b
13. JOHN COLTRANE - SOULTRANE
' s! W/ R! l* T& l! `, J: k* N: ^1 GOOD BAIT 12:07: }2 L# X+ v, `, g& _! \4 j
2 I WANT TO TALK ABOUT CARE 6:16
3 V, g1 U3 o' E' Y9 ~2 J3 YOU SAY YOU CARE 6:16
7 B! F1 ?$ H5 [/ c+ z1 m6 K1 l4 THEME FOR ERNIE 4:56( {& A( O+ I* k& Y' Z9 l
5 RUSSIAN LULLABY 5:35
: ^5 G+ }7 S& j& l7 N( j: e; _! DJOHN COLTRANE tenor saxophone* f" _# t& O0 Y, O" c6 X
RED GARLAND piano
) W" j, b; B V% F0 RPAUL CHAMBERS bass
* U- e3 q1 J% V2 x3 qARTHUR TAYLOR drums+ Z1 l0 b$ R e/ V) f, W6 q
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; February 7 1958. % |2 z* R# g8 w) |5 x
Supervision by BOB WEINSTOCK. Remastering,2006-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 37:536 |: X% B$ Q/ x: {4 S
14. JOHN COLTRANE - LUSH LIFE
& }- e3 R. X) g! c1 C' e9 W1 LIKE SOMEONE IN LOVE 4:57
9 G# P/ f4 M/ O, U2 I LOVE YOU 5:29
8 @0 U1 L2 d; b$ s3 TRANE'S SLO BLUES 6:01
* c% b5 g' r" n- \" j$ ?4 LUSH LIFE 13:53/ G0 ]+ ]+ O' }
5 I HEAR A RHAPSODY 5:58
& k4 B6 k- U0 CJOHN COLTRANE tenor saxophone1 N& q% y! K& }- _
On#1-3: EARL MAY bass8 @; j- T5 b. t- ~) j! x
ARTHUR TAYLOR drums) h1 m8 s8 `; X! e& _
Other selections: DONALD BYRD trumpet (#4)( s0 a( l' A9 D, v- @* C
RED GARLAND piano5 Y7 ~! M6 ^, ~/ k" W
PAUL CHAMBERS bass
( M6 Y6 m' Q o: F9 i/ KLOUIS HAYES drums(#4): E D8 I7 ^/ ^& p" x
ALBERT "TOOTIE" HEATH drums (#5)
7 V8 G6 }4 Q4 \7 t# X: iRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ on May 31,(#5) and August 16(1-3) 1957; January 10, 1958(4).
2 t% f$ C, e+ Z" {7 t+ D' V/ xSupervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by JOE GOLDBERG. Total Time 36:00' L( W6 R9 U) ]8 _' T! b& m- [+ [
15. KENNY BURRELL & JOHN COLTRANE - KENNY BURRELL & JOHN COLTRANE
! ^: v% [) u& J- y6 ~2 D$ _1 FREUGHT TRANE 7:19
9 E6 h" p( H8 L8 z$ @: R2 I NEVER KNEW 7:044 R/ p- C) h( z1 o5 m7 Y) l0 e! t
3 LYRESTO 5:41% E* c8 b V: L3 s% m0 O+ {
4 WHY WAS I BORN? 3:12, \, L f. `& X. |
5 BIG PAUL 14:04
4 U6 x0 }# e. M3 r. VKENNY BURRELL guitar
3 S- }( l( g" p# lJOHN COLTRANE tenor saxophone
) ?6 B) s2 W& P- YTOMMY FLANAGAN piano
! z% I! _6 u$ B3 B/ vPAUL CHAMBERS bass
$ K3 T( c3 g% z) LJIMMY COBB drums& a# T! n& L/ J9 y8 ]6 ]% O; W/ Z8 W
Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; March 7 1958. % X" y9 t; y' B7 U0 H
Supervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:006 E* S/ S5 W" i+ K
16. KENNY DORHAM - QUIET KENNY
, Y5 Y/ O4 K& k5 H7 t# s: l* d1 LOTUS BLOSSOM 4:363 R6 E" h, H4 S6 g/ L: F
2 MY IDEAL 5:04
2 o! C- L: c9 @! R3 BLUE FRIDAY 8:451 j6 ]5 O: ^$ r) s& r
4 ALONE TOGETHER 3:09' f1 V1 g( H! i& y2 {. C( b1 r
5 BLUE SPRING SHUFFLE 7:34
9 G' h9 y5 n4 M3 t. A0 }0 B6 I HAD THE CRAZIEST DREAM 4:38
! X! ?! @3 t. {+ a- a( U9 C7 OLD FOLKS 5:11; N% Y l: \7 p, a
8 MACK THE KNIFE 3:02! q; n% ~2 D: V: S. c. P
KENNY DORHAM trumpet( |- |3 C' Q1 R: K$ N3 C
TOMMY FLANAGAN piano( X8 ~/ j# u4 j) \3 E
PAUL CHAMBERS bass
: I' ?1 @( |3 B9 w5 aARTHUR TAYLOR drums
0 |+ \) a" C. ^3 b7 T# mRecorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; November 13, 1959.8 E/ q: T- U- Q* X
Supervision by ESMOND EDWARDS.. Remastering,2005-Ruby Van Gelder(Van Gelder Studio) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by DAN MORGENSTERN. Total Time 38:00* q# L2 \7 W) j3 F% w' \
17. KENNY DREW TRIO - PAL JOY
6 s" C6 A% y8 l0 p m1 BEWITCHED, BOTHERED AND BEWILDERED 4:12- K# C, Y* u0 P) D# \8 z
2 DO IT THE HARD WAY 5:52
! h4 }/ D/ { \# f; r q: s& x3 I DIDN'T KNOW WHAT TIME IT WAS 4:010 B: k' w+ h+ f6 V6 E
4 HAPPY HUNTING HORN 4:18
$ C8 d+ V! P. t9 I6 X K5 I COULD WRITE A BOOK 4:43
x- l% c: @: ~/ {0 \5 F6 WHAT IS A MAN? 5:08
, _: U0 `$ i U$ E7 E% `7 MY FUNNY VALENTINE* 4:09
: e, b; M8 D8 }% ^5 s8 THE LADY IS A TRUMP* 5:41
7 C4 S& |& c( |1 n. n/ l*These selections from screen version only
! I4 z! z4 ^8 `4 N/ X1 a7 MKENNY DREW - piano" ?% x8 L/ X- u
WILBUR WARE - bass5 t' Z3 _, j+ i) A
PHILLY JOE JONES - drums
* l3 ^. S, K3 ^/ {8 T( N* _$ ERecorded in New York; October 15, 19578 l& J3 _# H/ f" A3 ]
Produced by, ORRIN KEEPNEWS
" k( F- u7 t Y0 X. @% H18 King Pleasure Sings9 w# r3 @* l' ~. Q
18. KING PLEASURE SINGS / ANNIE ROSS SINGS
8 p$ u" T- S0 C2 ~9 t, q8 Q! u1 RED TOP 3:12
# c) W) S" @+ Y& K, w9 F4 `2 JUMPIN' WITH SYMPHONY SID 2:34
9 H, v0 J! g5 ~3 SOMETIMES I'M HAPPY 2:55
5 ]. a: J5 i/ H4 THIS IS ALWAYS 3:12
+ I6 V) I8 W+ [# |& v5 WHAT CAN I SAY(AFTER I SAY I'M SORRY) 3:09
Z- m8 L# o! j/ r9 u7 L. ]6 DON'T GET SCARED 3:181 B- T5 _' D4 Y S$ s. e
7 PARKER'S MOOD 2:55. \( v4 ? p' r6 h" V9 [& w
8 I'M GONE 3:27
6 m+ b, C0 J% P*9 I'M IN THE MOOD FOR LOVE 3:01
7 P2 a. e. v" t7 }4 c*10 EXCLAMATION BLUES 2:37
% k4 d& T1 \6 z! j+ j*11 YOU'RE CRYING 3:08
+ |% Z/ b: ~3 \+ |" Q: a*12 FUNK JUNCTION 3:05
4 S3 e, {0 I3 h7 u+ lANNIE ROSS SINGS4 V: @ d8 V$ [3 J6 U
13 TWISTED 2:37
% z, N3 ~- e- G+ m14 FARMER'S MARKET 2:43
3 ^" f! c; J: |3 O" H* a15 THE TIME WAS RIGHT 3:16
7 I7 g: O) a8 M16 ANNIE'S LAMENT 2:58
B) k/ Z. Q7 A/ k3 `*Bonus Tracks7 Q8 F2 R6 R& ]* }
KING PLEASURE and ANNIE ROSS" w9 J; r! O, w6 Y" f
With
7 R% d" ~5 X9 P. V; \Betty Carter, John Lewis, Percy Heath, J.J. Johnson,/ S. w- j* B: G' C6 q$ v$ n
Paul Chambers, Jon Hendricks Art Blakey, and others7 ? @# e9 h' [
Recorded between December 1952 and December 1954
( u6 Z) v% K; T2 c& ?7 Q#9-12 originally released on
% e# F m; k. X2 r) H) [- h/ sOriginal Moody's Mood (Prestige 7586)! W2 M$ `+ f! c1 q: \
Remastering, 1992 - Joe Tarantino (Fantasy Studios, Berkeley)7 B) @& T# U* m. x# @+ N2 m5 z
TOTAL TIME: 49:13- q) M" L, d# I# P: T: a
19. MILES DAVIS QUINTET - COOKIN' WITH THE MILES DAVIS QUINTET
4 Y r$ |3 d' @3 G1 MY FUNY VALENTINE 6:046 }: @4 o! D1 w' U. F' K4 H
2 BLUES BY FIVE 10:23
6 r! @3 f' F7 h/ i, V3 AIREGIN 4:26
) B- l. N7 k% C8 k, c7 v, m9 ~) f# r4 TUNE-UP / WHEN LIGHTS ARE LOW 13:11
1 e+ s# L/ v m- Z/ `3 ?1 m8 QMILES DAVIS trumpet
, L" o8 r0 R; ^JOHN COLTRANE tenor saxophone# I! z- D0 q6 }6 J6 ^) H
RED GARLAND piano |. f$ t# {- q& H, c! H; [
PAUL CHAMBER bass
) J" a: m- o& NPHILLY JOE JONES drums9 h' ^8 _# K8 {& N$ q' e& `
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ; October 26, 1956. Supervision by BOB WEINSTOCK Remastering, 2006 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution." N6 B& u* Q) U1 u4 D
20. MILES DAVIS QUINTET - STEAMIN' WITH THE MILES DAVIS QUINTET
. h' @* S- v- Y! `" L1 SURREY WITH THE FRINGE ON TOP 9:053 G R! M b1 P7 W8 B, e* V7 N0 d6 `
2 SALT PEANUTS 6:09
! H# y0 x' d6 T2 }" D3 SOMETHING I DREAMED LAST NIGHT 6:15 q6 }& B0 P) W$ Q# C# \$ {
4 DIANE 7:49
D2 y* E9 K k9 S5 WELL, YOU NEEDN'T 6:19
6 k4 E9 N4 ~5 J7 H( t# k6 WHEN I FALL IN LOVE 4:23
/ y7 c8 c7 _( c, ?& W7 xMILES DAVIS trumpet
* G. a+ d/ n1 M* xJOHN COLTRANE tenor saxophone (except #3)
" Z8 C' ]- ]( n8 hRED GARLAND piano5 ^9 k- P) b) f
PAUL CHAMBER bass- [5 l Z1 `( h8 d
PHILLY JOE JONES drums u$ N9 P. T: R: N9 s8 Q* R
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 11, 1956(Well, You Needn't" recorded October 26, 1956). Supervision by BOB WEINSTOCK Remastering, 2007 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ)
4 i+ L2 F! q# r& o7 e/ E1 o% g21. THE MODERN JAZZ QUARTET - DJANGO
! i M9 `; q7 n( U* |! f1 DJANGO 7:01 C! E; a6 }' Y' S
2 ONE BASS HIT 2:58
+ Y( j0 ~* }! Q' G% J% s/ {! x3 LA RONDE SUITE 9:35
3 N% k8 J/ F( w' u* X# O' |7 f4 A)PIANO B)BASS C)VIBE D)DRUMS; n9 j; c( B' P8 ^
5 THE QUEEN'S FANCY 3:12
# P6 j! v& T0 c1 } b+ p3 H W6 DELAUNAY'S DILEMMA 3:575 A; T; K4 k" l/ t2 F3 x
7 AUTUMN IN NEW YORK 3:38
( G9 M. h& G2 M. c, J9 m+ k8 BUT NOT FOR MW 3:42; Z' A# S5 @ }+ t" v$ A
9 MILANO 4:215 e/ ^$ {' P" a5 m% n
MILT JACKSON vibes
6 A* w9 g7 r o" h- _: QJOHN LEWIS piano
; C1 T: m5 N: X7 R' u! Z* F# KPERCY HEATH bass
3 l2 J* F8 D% A5 a- [KENNY CLARKE drums+ G& q5 v& h9 {# K w; ]0 r
Recording engineers - RUDY VAN GELDER(#1-3,8), DOUG HAWKINS(#4-7) - O% |) x5 V& Z0 W
Recorded at van WOR Studios, New York City ON June 25, 1953(#4-7); at Van Gelder studio, Hackensack, NJ; December 24, 1954 (#1,2,8) and January 9, 1955(#3).
S/ b+ J. a3 p9 Y$ aSupervision by BOB WEINSTOCK(#1-3,8) and IRA GITLER(#4-7). Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER.
4 ]9 h) ~4 O$ F( a# _( ~Total Time 39:00
% \9 e5 I$ l7 ]5 T5 a3 ?22. NAT ADDERLEY- WORK SONG
! m& o/ _- g$ s% w/ k6 i1 WORK SONG 4:12
9 w7 }' ]! v( E' o; q, [. ]' K. I2 PRETTY MEMORY 3:50
" N5 M' O- ^& t3 v/ x+ d3 I'VE GOT A CRUSH ON YOU 2:530 G2 M+ \, g( Z
4 MEAN TO ME 4:59! Q+ |7 v9 W7 }( P: c2 l
5 FALLOUT 4:51
9 B9 O4 t/ D" m1 d8 d# S$ e2 O6 SACK OF WOE 4:24
: V! x3 d: ^5 K& U7 MY HEART STOOD STILL 6:24
* L: G( u# R7 e5 `" B8 y6 p l8 VIOLETS FOR YOUR FURS 3:47- ~" N, r) G, i
9 SCRAMBLED EGGS 3:20
7 i- ?1 `" I* eNAT ADDERLEY-cornet+ d% d4 M- ?8 A) x ~
WES MONTGOMERY - guitar
" [' e/ V% O% b. [) aBOBBY TIMMONS- piano1 [0 k0 m: h; X; t+ m3 i6 y
SAM JONES or KETER BETTS -cello or bass
8 V7 f8 ^/ k5 ` \, kPERCY HEATH- bass
% u$ i+ @" i: k, \3 hLOUIS HAYES -drums
H9 R7 K+ N% Q" f) w" p: ^Produced by ORRIN KEEPNEWS
9 N7 C( N+ s1 Y- ?5 ^ kRecorded in New York; January 25 and 27, 1960.- \$ |3 o7 { A3 v" _ S
Digital remastering, 1989 - Phil De Lancie
% }5 C& ?8 B' |' Q(Fantasy Studios, Berkeley)* i9 V0 e2 l! c& d: y7 y2 b
TOTAL TIME 39:004 c/ L- n1 v5 p% W
Rounded off to the nearest minute
+ b! v( b0 [, v7 J- s& x, w23. RED GARLAND TRIO - GROOVY1 u0 e8 w# b, r8 [* F
1 C-JAM BLUES 8:21
% A' K9 G2 Q I% m% \2 GONE AGAIN 6:46
; O, z9 P, G7 o1 x3 WILL YOU STILL BE MINE? 4:43
, Z9 J- V( ~! t; o4 WILLOW WEEP FOR ME 9:351 J0 T. v( H" N8 P) x' s% ?
5 WHAT CAN I SAY (AFTER I SAY I'M SORRY?) 7:143 W- k) p. c6 Y& I5 `. R
6 HEY NOW 3:411 f/ H3 U" d! P5 b% e
RED GARLAND piano$ Q, U0 `* O4 ~$ b3 P2 H+ a6 h
PAUL CHAMBER bass
" h1 j) |! a2 pARTHUR TAYLOR drums; n9 R6 `9 M& N3 X
Recorded by RUDY VAN GELDER at Van Gelder Studio, Hackensack, NJ May 24, and August 9, 1957. Supervision by BOB WEINSTOCK Remastering, 2008 - Rudy Van Gelder( Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog maser tapes to digital at 24-bit resolution.! u3 }) M1 J ~
24. RAY BRYANT TRIO - RAY BRYANT TRIO
4 D3 I5 `3 `; w# T1 GOLDEN EARRINGS 4:502 U1 a; i% k5 h1 ]
2 ANGEL EYES 3:19- b! i, h' K6 ?9 F. x
3 BLUES CHANGES 4:58, d K8 u6 _; Q1 Y7 A6 G
4 SPLITTIN' 4:374 {* m$ x7 b7 n: s& g
5 DJANGO 5:00$ E9 N8 z# I+ g( B' g1 o9 `
6 THE THRILL IS GONE 4:51
" y8 l8 J* ~5 r0 u2 d }$ _7 DAAHOUD 4:00
! `- ^) @6 K4 X9 x+ \8 SONAR 3:21/ K9 V" d2 _) y% d0 I2 [
RAY BRYANT - piano
; z( `2 O. k& z; c1 o* SIKE ISAACS - bass8 x8 K3 ^% x: \1 _8 i* U1 H) N3 U( x
SPECS WRIGHT - drums
# \9 p* x* s& h8 S( S; m9 _Supervision by BOB WEINSTOCK
& d6 R: o* d9 A9 ~+ tRecorded in Hackensack, NJ; April 5, 1957.
8 `7 b: N; O, L- @Recording engineer - Rudy Van Gelder
# D. W) i, [% IDigital remastering, 1993 - Phil De Lancie7 ~" G1 H% n7 B
(Fantasy Studios, Berkeley)
; i n& f4 W& @0 y- C4 b* m! xTOTAL TIME 36:00
2 F5 `4 a8 L( n. W6 n& T NTotal time has been rounded off to the nearest minute." w8 ^/ d) L8 x: c
25. SHELLY MANNE & HIS FRIENDS - MY FAIR LADY
; d+ h1 F% O) n6 {" B1 GET ME TO THE CHURCH ON TIME 4:11 C3 S* f2 k1 f1 w K4 |
2 ON THE STREET WHERE YOU LIVE 5:37
g \# u- @/ _* P+ i3 I'VE GROWN ACCUSTOMED TO HER FACE 3:21
( t# G ^* ?) b$ w4 WOULDN'T T BE LOVELY 5:31
- f. Q4 Q7 }/ w: B5 @+ [- |5 ASCOT GAVOTTE 4:17/ V6 |# q3 s, U6 n! Q
6 SHOW ME 3:40; ?3 x: S- K9 L, A
7 WITH A LITTLE BIT OF LUCK 6:01. }9 d, g+ \( h+ s
8 I COULD HAVE DANCED ALL NIGHT 3:00
) y& n5 u' [* O" t4 L/ v% fSHELLY MANNE-drums
3 Q5 x) A9 x1 ?7 r% l2 ^ANDRE PREVIN-piano
0 X3 a2 L0 ~+ f$ y5 R' h- iLEROY VINNEGAR-bass
* Z6 |4 J( u0 v; J5 j ^8 }/ dProduced by LESTER KOENIG* V4 Z2 A0 W- z6 k3 X
Recorded at Contemporary's studio in Los Angeles;
% I9 C: S& K. rAugust 17, 1956.* y0 q$ u9 C: F9 k
From the musical My Fair Lady
0 W- _4 K0 w9 \2 _9 J" N7 GDigial Remastering, 1988-Phil De Lancie
o$ E. M1 I7 `2 E+ w(Fantasy Studios, Berkeley)
/ e5 y& k: q# T& l( U9 ^, dTOTAL TIME 36:00# v0 B8 ?4 U E( T( }
Total time has been rounded off to the nearest minute.
0 E! m8 ~( G. K) K26. SONNY ROLLINS - SAXOPHONE COLOSSUS$ r+ n" J/ P( a7 s
1 ST. THOMAS 6:42
0 l& v, j' R! c' I0 U2 YOU DON'T KNOW WHAT LOVE IS 6:242 Y" d% S& Z, `7 V( u
3 STRODE RODE 5:11
2 \7 q( c4 w/ F4 _* w4 C5 Q4 MORITAT 9:57
2 a3 o( g" T1 f6 u$ _# j8 U. @5 BLUE 7 11:12* Q: Y: G0 X# O2 O3 l- h; ]
SAXOPHONE COLOSSUS
' o/ n9 b1 m* k9 ~& Y& J, o7 h% `SONY ROLLINS $ g3 ]/ M# b; U' S A
SONNY ROLLINS tenor saxophone
. A, z9 |; R5 P" oTOMMY FLANAGAN piano
/ n8 U8 E! s/ }6 w) g. _; X7 JDOUG WATKINS bass; Y1 W8 k) r# h/ I, G( ~
MAX ROACH drums
) M, k0 E7 H5 h% n }Recorded by RUDY VAN GELDER at van Gelder studio, Hackensack, NJ; June 22, 1956
+ W' S) s& S% v0 w3 vSupervision by BOB WEINSTOCK. Remastering,2005-Ruby Van Gelder(Van Gelder Studio, Englewood Cliffs, NJ) All transfers were made from the analog master tapes to digital at 24-bit resolution. Notes by IRA GITLER. Total Time 40:00, {7 D$ ?( i6 N* |& V
27. SONNY STITT/BUD POWELL/J.J. JOHNSON - SONNY STITT/BUD POWELL/J.J. JOHNSON
& l5 E: H1 t& u( X1. All God's Chillun Got Rhythm 2:57
* y) p' ^" t, Z& K; L# R+ l2. Sonny Side 2:21; z" ~+ G/ Z7 Y7 w+ K2 A
3. Bud's Blues 2:321 r8 x: S; Y. Y+ s0 A' P7 s
4. Sunset 3:44' C. w2 z6 j* j( j2 F1 i
5. Fine and Dandy [Take 1] 2:39+ z2 R# k- ~+ K! V
6. Fine and Dandy [Take 2] 2:38
4 i! O- G# f# K& L' q7. Strike Up the Band 3:26! K! ?5 }# d) M& N) v- s) W' F. I
8. I Want to Be Happy 3:09
* B, n( O& ?3 Y7 e0 R; J1 G- \9. Taking a Chance on Love 2:328 A6 g8 ? v- \$ y9 h
10. Afternoon in Paris [Take 1]
0 @! M% T. k5 h I/ K r( T3:036 Z/ [8 s8 r( ^
11. Afternoon in Paris [Take 2] 2:59
+ z7 x" R, w0 v, J7 [12. Elora [Take 1]3:03% W7 q: s2 x5 Q" D
13. Elora [Take 2] 3:07, F6 M" d& |0 J2 I+ d. k7 h
14. Teapot [Take 1]2:43
" E$ T4 d! O7 s' U, N; K15. Teapot [Take 2] 3:01
( F. h; K+ ]5 b8 \16. Blue Mode [Take 1] 3:45" j, p; I2 H* t" ~$ |
17. Blue Mode [Take 2] 2:495 y7 e! ]2 R) c9 H; _4 q
28. THELONIOUS MONK - BRILLIANT CORNERS
* A- c G1 F8 g" @9 m1 BRILLIANT CORNERS 7:42, E5 S) \5 | \6 m7 o# n- {
2 BA-LUE BOLIVAR BA-LUES-ARE
2 @$ v3 S, }( B/ f3 PANNONICA 8:500 [0 s1 L8 m5 \6 ]
4 I SURRENDER, DEAR 5:25( r' E3 q9 n) J9 W1 k4 E/ c
5 BEMSHA SWING 7:42 Y ?/ u7 F$ E; V1 P* T% e
THELONIOUS MONK - piano3 m) E& C9 J# Q# G; Y* M" E$ h
ERNIE HENRY - alto saxophone* m- Q4 E4 w2 u4 v
SONY ROLLINS - tenor saxophone& {8 q/ x9 C) D) J, x& v! ^
OSCAR PETTIFORD - bass5 X" H x: _$ y
MAX ROACH - drums
* l6 B+ O0 n$ C0 N5 U. H5 c* A( ](On "Bemsha Swing" : Clark Terry, trumpet; Paul Chambers, bass)
% Z5 V* s8 f7 v8 `. Y2 MProduced by ORRIN KEEPNEWS
; Z; J6 c2 T$ s0 w8 c/ y/ _4 E. PRecorded in New York; December 1956.
2 b% M1 k& u/ R: X7 a3 ^Digital remastering, 1987 -Kirk Felton
7 D5 P4 V; U2 u+ R3 E9 o/ r9 h(Fantasy Studios, Berkeley)
1 D# ~! q, }& r3 d# n' q5 xTOTAL TIME 43:007 S. d1 D# Y; h) V: \$ k! V
Total time has been rounded off to the nearest minute.
. C, Y7 ` k+ r( r29. WES MONTGOMERY - THE INCREDIBLE JAZZ GUITAR; S! E& B) x; s( Q' P! B; f6 F
1. Airegin 4:288 B& @, z. n' N& [& [" X
2. D-Natural Blues 5:22
6 s8 p s8 B) G" i3. Polka Dots And Moonbeams 4:42
( T: u' U/ V# `- y4 c7 D8 B7 i9 O4. Four On Six 6:15! P0 L: G- [& t+ Z
5. West Coast Blues 7:23) x9 D8 e2 V7 @0 Z$ R# c; e* y
6. In Your Own Sweet Way 4:53& ]4 K5 n8 w0 T
7. Mr Walker 4:32
) D3 n* H' U: a! s$ k0 Y- f8. Gone With The Wind 6:20
4 {' b3 V; ~ K- f0 R/ C# N30. WYNTON KELLY TRIO & ***TET - KELLY BLUE
5 o( k8 k0 ^+ i5 O# |' V! n& F; b1 KELLY BLUE 10:46
* F1 j+ M) N0 n7 M2 SOFTLY, AS IN A MORNING SUNRISE 6:30
6 ]% h; n& \6 ]# m6 `* 3. DO NOTHIN' TILL YOU HEAR FROM ME 4:22
Y1 u* I4 f6 e/ Q, n$ U p4 ON GREEN DOLPHIN STREET 4:41
& w) G1 E& J2 A# Y! I! X6 ~5 WILLOW WEEP FOR ME 6:04- b0 y! t" o) U7 K3 ?! n; M/ p$ L
6 KEEP IT MOVING(Take 4) 7:294 H: O* l/ q4 y' B2 [: S* ?
* 7. KEEP IT MOVING(Take 3) 8:47
. k( F1 a- k& ^; ~" D8. OLD CLOTHES 7:40
& h4 L3 R8 P' H+ l% }) G$ T9 s* BONUS TRACKS1 H5 ]* j1 s+ `8 }' O0 \8 e4 i
WYNTON KELLY-piano' L$ `. p5 G' E" F9 S9 X6 J1 F b
NAT ADDERLEY-cornet6 o/ b! |; F& m4 j, {3 E! i, j
BENNY GOLSON-tenor saxophone
9 L+ }/ i6 w8 V% F# t0 m; ?BOBBY JASPER - flute# W* C& ]: Z# i- y+ O3 _+ O$ z# T
PAUL CHAMBERS - bass; ]+ x9 J/ i3 ?1 A' l
JIMMY COBB - drums: p+ ~+ @3 ]' J+ R. g N9 d& H
Recorded in New York; February 19, 1959.
; [ C# k5 x8 P2 H2 f2 S) y" QOther Selections:4 Y$ K8 n0 {6 |! ]! y1 Z
WYNTON KELLY -piano, P8 G5 U) X# i/ U
PAUL CHAMBER - bass
?5 Y& o9 G( R" m+ Q$ `. SJIMMY COBB - drums% ]5 |1 |! E# Y) }" ?! |" z
Recorded in New York; March 10, 1959.) |5 ?% E( S0 Q6 O. A
Produced by ORRIN KEEPNEWS
* |# ^: d' r+ G t1 ]0 }% W. SDigital remastering, 1989 -Joe Tarantino
B( Q. S/ b. {- I( N(Fantasy Studios, Berkeley)
# \3 Y6 G* t \8 T6 t. v+ h' X) i; V- H2 }" {7 I
. U- g' v1 L3 n4 z
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